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Showing posts from May, 2016

1000 Words on 500 Days of Summer

It’s been almost seven years since 500 Days of Summer was released. Every year since that release date I’ve watched the movie at least once. I’m still convinced that the film is one of the masterpieces of the millennium and manages to be overcome of the most difficult challenges of any film (or artwork). Namely, the film is both popular and appealing to a wide audience without seeming formless or pandering. Too often films that are made for everyone end up being films for no one. This isn’t the case in 500 Days of Summer. Only in hindsight have I realized it’s a film for everyone. When I’d first watched it, it seemed quite straightforward. Tom was good and hopeful and Summer was evil. This is the kind of analysis I was able to do at 20. And of course, completely lacking the grounding to realize there’s another perspective to the film, I was convinced the narrative I’d seen was right. Much like in Love in the Time of Cholera (another favourite of my teenage self) I’d missed

Football- 2006 World Cup – Trinidad

Football- 2006 World Cup – Trinidad On November 16 th 2005, Trinidad and Tobago created history by becoming the smallest country to ever qualify for the World Cup. By beating Bahrain (who would have been the smallest country had they qualified with a similar population of 1.2 million) 1-0 at the Bahrain national stadium, they provided Trinbagonian  fans with a once in a lifetime moment for many. Supporters were understandably circumspect about the possibility of qualification. In 1989, needing just a draw to qualify for Italia ’90, the national team, dubbed the “Strike Squad’ had been paraded across the entire country as heroes. The team bus to the national stadium for this final, all-important match was at the back of a slow moving motorcade to allow the fans to see their “World Cup heroes”. They lost 1-0 to the USA, who qualified for the World Cup for the first time in 50 years. They have been to every World Cup since then and 1989 is generally considered the turning point

Two Years, Eight Months and Twenty‑Eight Nights by Salman Rushdie - review

Two Years, Eight Months and Twenty‑Eight Nights by Salman Rushdie - review  Salman Rushdie’s name on the cover of a book comes with baggage. Because of the history of the author’s previous works, there’s the inevitable desire to compare with the old books. Midnight’s Children especially weighs upon all of the author’s work because of the stature of that novel. However, it’s not just comparison but expectation. The reader expects the protagonist to be from the subcontinent and the novel to be peppered with historical and contemporary references. There is the expectation that the novel will reference and compare Eastern and Western histories. The historical fiction is expected to be accompanied by magical realism. These expectations can also weigh in on the evaluation of Rushdie’s new novel. And, if the reader is expecting to find all those things, they won’t be disappointed. Two Years, Eight Months and Twenty‑Eight Nights is an unwieldy name which references the