Skip to main content

Best Tracks of 2013 (part 2)

In no particular order (well, maybe a little order) and very haphazardly chosen and described. Which tends to apply to most of my lists. It's gonna be cross a lot of genres but obviously I don't listen to everything so I'm not going to have any dancehall or country on here (fair warning). Heavily influenced by other end-of-year lists, because really without those how else am I going to find half of these tracks? They sure aren't playing on the radio....


 40. Rich Homie Quan - Type of Way

I didn't even realize this wasn't a Future song till almost October. It definitely has that chopped-up, sorta electric/autotune warble finish to it. It's one of those songs you know are in English but can't figure out all the words and still find yourself singing along. Catchy and cause I still can't figure out all the lyrics it's either serious or silly either of which works.

http://www.youtube.com/watch?v=-KKbdErJkiY


39. Robin Thicke ft. T.I. and Pharell - Blurred Lines

Could not stop humming this. It was everywhere and extra catchy. Granted it had a beat that sounded part Marvin Gaye (Got to Give It Up) and part Sanford and Son opening theme but somehow that works (or works because of it?). Lots of controversy since apparently it promotes rape culture but that's been debated to death. Personally I like my R&B a little bit racy and this track just rides the line of "you gotta be cool to pull this off". And they pull it off.

http://www.youtube.com/watch?v=yyDUC1LUXSU



38. Disclosure ft London Grammar - Help Me Lose My Mind

I am completely in love with Hannah Reid's lyrical and vocal ability, as well as the garage/house beats being put out by Disclosure (UK has always had an the only garage music worth listening too for long, usually). The ethereal lyrics find a perfectly futuristic beat which is equally comfortable for lazing sprawling on the bed contemplating life or losing yourself at 2am on a nightclub dance floor.

http://www.youtube.com/watch?v=TBW9VEE29W4

37.  Lil Durk - Dis Aint What You Want

21 years old and a whole lot of trouble. Must be a Chicago thing. And he drops the line "I can't do no shows cause I terrify my city". A song where it spouts indifference on the listeners and on fame except it feels very real not a front. The entire backing beat is sparse which works with Durk's rapping style of short phrases delivered for impact.

http://www.youtube.com/watch?v=tgA-wVkuZGo

36. Ciara - Body Party

Finally a good sex jam. It had been starting to seem only R. Kelly could make tracks like this. There's also a bit of Janet Jackson influence here too. It's a very light song with a slowed down sample of "My Boo" that's a clever idea to use cause 90's nostalgia is high now. The song itself just speaks of un-hide-able and un-miss-able fun. Very sensuous.

http://www.youtube.com/watch?v=B9rSBcoX9ak


35. Earl Sweatshirt ft Frank Ocean - Sunday

This song is raw, really raw (which means Frank Ocean is a perfect accompaniment, even if it's weird to hear him rapping). I hope we get more of the both of them (Super Rich Kids was great too). There's a mix of aggression and despair through Earl's verse but Frank's is all call-out's and aggressive superiority which, like the rapping, is very unusual yet works so well.

http://www.youtube.com/watch?v=BJ-rNtSeVC4

34. A$AP Ferg ft A$AP Rocky - Shabba

I'm glad for any reason to call out "Shabba" like it's the 90s (yeah, the 90s nostalgia has hit me too). Hilariously ridden with one liners and a feat of bravado and charisma. This is the kind of track that could easily be unlistenable if you miss the line but they pull it off. Plus they actually get Shabba to feature on the remix. Brilliant. An excellently hilarious (and accurate) tribute to Shabba by breaking him down to "8 gold rings+4 gold chains + 2 bad bitches + one gold tooth". And they get the Caribbean slang down excellent (usually Americans make it ridiculous)

http://www.youtube.com/watch?v=iXZxipry6kE

33.Chvrches - The Mother We Share

Electropop is a personal favourite and this band, with the beautifully upbeat vocals of Lauren Mayberry, are an encompassing melodic treat, nowhere seen as clearly as on this track. The lyrics are caustic and bitter but you'd never tell just from the synth, pumped beat. As many people have noted, there's a lot of influence of The Knife, which I say can only be a good thing.  And also they sound as good live as studio which, considering the style, is no easy task.

http://www.youtube.com/watch?v=j73ZGLKu9Sc



32. My Bloody Valentine - Only Tomorrow

One of my favourite albums during the 90s was Loveless  and the best track I'd thought was "Only Shallow". I didn't have high expectations when they got back together and put out a new album (how often is that good?). I was wrong. The album is excellent. This track is covered with a huge noise of sound that makes everything else seem muted. It's the kind of song you daydream/reflect to. A very dense track with heavy guitar and the always incomparable vocals of Bilinda Butcher making you feel both like it's from the 90s and it's recent.

http://www.youtube.com/watch?v=VY0uF3M7YJQ


31.Tegan and Sara - Closer

Good music from Calgary? Who'd have guessed? But they are good.  It's all pop and disco and synth and quite a rush. Finds that mix of suggestive and naughty with having a good time. And it manages to sound every bit as good stripped down as well.

http://www.youtube.com/watch?v=n5ljvQXHy2k




Comments

Popular posts from this blog

Oscar Predictions-Film Awards (i)

Best Director Most likely winner :     Steven Spielberg   for Lincoln. Leaving out Ben Affleck, Kathryn Bigelow and Quentin Tarantino pretty much made this Spielberg's to lose. And doesn't reflect too well on the Academy either. Backup Pick :    David O. Russell for  Silver Linings Playbook. The production company of Weinstein have been campaigning hard for this and it's a good film with the acting performances set up well. The thing about best director is it's the easiest award to give to someone the academy likes because it's ambiguous and the academy doesn't really love Russell. Most deserving :      Michel Haneke for  Amour. Haneke has the most carefully crafted film here. All in all it is definitely his film in every scene. His presence is all around the film and it is an excellent film. If they give it for the greatest impact a director has on the film, this is it. Best Adapted Screenplay Most li...

(Short) Analysis of the (length of stay for) teams at World Cup 2014 - Groups A and B

I like World Cup, quite a lot, and think it's the best of all the tournaments that exist in football and very possibly in all of sport (at least for any tournament focused on one sport since the Olympics is amazing because of the variety). So I'll be trying to figure out how likely each team is to get out of the group stages and how far they'll probably go if they do. All the odds are from  www.bet365.com  which is the site I use most for trend spotting in sport (it's like my sport-Bloomberg). Group A Brazil- Automatically qualified as hosts and at 1/20 to qualify have the second best odds of any team to make it out of the group phase behind Argentina (who have probably the softest group). It's with good reason Brazil have such low odds and they're considered favourites. Winning or even coming second in Group A doesn't mean an easy run as it probably would result in a round of sixteen clash against either defending champions Spain or the ...

Best Films of the Decade - 2010s - Third Part

11. Get Out (2017)-  Directed and written by  Jordan Peele. Horror seems to be an excellent medium to describe racism and it's somewhat amazing how obvious it seems in hindsight. One of the best debuts of a director in recent times, with a script that amps up the tension marvelously and serves up a twist in the tale that was impossible to see coming. Normally horror movies are seen as niche, but this film was popular with the wide audience and also at the award ceremonies further proving everyone was able to be captured by the film's quality. There has been talk of the film fitting into horror-comedy, probably due to Peele's comedy background, but while it is never laughably funny but does serve as a clever satire on the state of racial affairs. 12. The Death of Stalin (2017) - Directed by  Armando Iannuci.  Written by  Armando Iannuci, David Schneider and Ian Martin. Few topics are as ripe for satire as the workings of communist governments (provi...