Skip to main content

Marvel Netflix Series: The Villains

Marvel Netflix Series: The Villains

Filled with spoilers below

Over the past few months I’ve watched Luke Cage, Jessica Jones and Daredevil in that order, so I’ve watched them all out of order. While this means I wasn’t really able to appreciate the interlocked nature of the series and really spot cross-series links when they showed up (a lot of the time) it did allow me to take each of the series from a stand-alone point (as much as that is possible when Marvel movies and television series have been around since forever and I’ve been reading comics pretty much my whole life).

The series are all more distinct than they are similar but one of the uniting threads is the quality of the villains they face. In Luke Cage this means Cottonmouth (played by Mahershala Ali, who seems ever present and excellent these days) and Mariah to a lesser extent although the character of Diamondback doesn’t match up to those two and seems like a late and not as well thought out entry (for every season of these shows, I’ve thought at one point or another that 13 episodes might be too much since the narrative strains somewhere between halfway and episode 10). Mariah, especially, is interesting in her descent from corrupt politician who wants the best for her neighbourhood most of all to a more dark and sinister character. Unfortunately her rise coincides with the killing off of Cottonmouth (by her) which deprives us of one of the smoother but still ruthless villains. Cottonmouth is noteworthy especially for his willingness to be a villain. Unlike Mariah or Fisk in Daredevil he isn't interested in the city and making it better. He wants things better for himself.



 In Jessica Jones, Kilgrave remains one of the most entertaining super powered villains in recent memory because of the depth in which they try to psychoanalyze him. Sure, mind control is pretty scary but Kilgrave is a supremely evil character whose warped sense of the world may be due to the fact that he has no idea how to exist in a world where he’s never had to hear no. It doesn’t make him any less evil (choosing to do unethical things is a choice, despite the reasoning) but it does make him much more relatable. After all, ethics are pretty subjective and he’s never had parents who told him (or could tell him) what was right or wrong.  



Wilson Fisk is undoubtedly the best character of Daredevil’s first season. The second season of the series is quite good as well but without a strong central villain, it lacks the focus of the narrative. The return of Stick and Yoshioka plus the introduction of antiheroes like The Punisher and Elektra are welcome additions (especially The Punisher) but the episodes in season two featuring Fisk (rapidly on his way to owning the Kingpin moniker) are the best in the season. His manipulation of Frank Castle which sends him on the way to the incarnation of the Punisher is magnificent.
Fisk rules the screen in season one because of the originality of his character. We’ve seen Kingpin for years in Daredevil comics as well as in Spiderman so getting originality into this character is a decent achievement. Having the character with a redone backstory involving killing his father (also, is the entire cast of The Wire hired by Marvel for this series?) immediately adds credibility to Fisk’s way of seeming like a man who is childish in his actions. While violent and manipulative in a very adult way, Fisk’s mannerisms and voice seem like he’s always on the verge of either crying or screaming. Fisk’s love for Vanessa and his desire to do everything to please her also has a childlike romanticism to it.




Without strong antagonists, series are not set up to succeed. In the past it was enough to have villains who were caricatures which would be made up for by the heroes commanding the screen. But as heroes have become more troubled and complex, the need for complex villains has arisen as well (it was well overdue). Hopefully the trend of quality villains continues into future seasons and series as well. 

Comments

Popular posts from this blog

Oscar Predictions-Film Awards (i)

Best Director Most likely winner :     Steven Spielberg   for Lincoln. Leaving out Ben Affleck, Kathryn Bigelow and Quentin Tarantino pretty much made this Spielberg's to lose. And doesn't reflect too well on the Academy either. Backup Pick :    David O. Russell for  Silver Linings Playbook. The production company of Weinstein have been campaigning hard for this and it's a good film with the acting performances set up well. The thing about best director is it's the easiest award to give to someone the academy likes because it's ambiguous and the academy doesn't really love Russell. Most deserving :      Michel Haneke for  Amour. Haneke has the most carefully crafted film here. All in all it is definitely his film in every scene. His presence is all around the film and it is an excellent film. If they give it for the greatest impact a director has on the film, this is it. Best Adapted Screenplay Most li...

(Short) Analysis of the (length of stay for) teams at World Cup 2014 - Groups A and B

I like World Cup, quite a lot, and think it's the best of all the tournaments that exist in football and very possibly in all of sport (at least for any tournament focused on one sport since the Olympics is amazing because of the variety). So I'll be trying to figure out how likely each team is to get out of the group stages and how far they'll probably go if they do. All the odds are from  www.bet365.com  which is the site I use most for trend spotting in sport (it's like my sport-Bloomberg). Group A Brazil- Automatically qualified as hosts and at 1/20 to qualify have the second best odds of any team to make it out of the group phase behind Argentina (who have probably the softest group). It's with good reason Brazil have such low odds and they're considered favourites. Winning or even coming second in Group A doesn't mean an easy run as it probably would result in a round of sixteen clash against either defending champions Spain or the ...

Best Films of the Decade - 2010s - Third Part

11. Get Out (2017)-  Directed and written by  Jordan Peele. Horror seems to be an excellent medium to describe racism and it's somewhat amazing how obvious it seems in hindsight. One of the best debuts of a director in recent times, with a script that amps up the tension marvelously and serves up a twist in the tale that was impossible to see coming. Normally horror movies are seen as niche, but this film was popular with the wide audience and also at the award ceremonies further proving everyone was able to be captured by the film's quality. There has been talk of the film fitting into horror-comedy, probably due to Peele's comedy background, but while it is never laughably funny but does serve as a clever satire on the state of racial affairs. 12. The Death of Stalin (2017) - Directed by  Armando Iannuci.  Written by  Armando Iannuci, David Schneider and Ian Martin. Few topics are as ripe for satire as the workings of communist governments (provi...