Skip to main content

Sleepless: A review

Sleepless: A Review



*Spoilers*

Sleepless is by no means an original film. This is not entirely a problem when watching an action movie since entertainment value supersedes originality, but with a vast number of action films being produced, having an original storyline would add points to a film of this genre. A remake of the French film Sleepless Night , this adds to the feeling that the viewer has seen it all before. The ability to know what is happening before it happens is not ideal when the movie needs to really capture the audience’s attention by building tension.

However, this is not a bad film. While it does possess a number of clichés and the entire crooked cop storyline can feel a bit rewarmed, this is a solidly entertaining film. The problem is that for fans of action films, they’ll have seen better done versions of every set piece. The chase scenes have all been done before as have the gunfights in parking garages and fistfights in kitchens. Not every film can show us a unique action sequence like John Woo but if we have to see things we’ve seen before, it’s reasonable to expect the standard to match. But, the issue with the film lies really in execution of the familiar.

The storyline doesn’t help either. There are many attempted twists to the story but they never really land. From the opening introduction of Jennifer Bryant who is completely sure that something is rotten at the police force followed by the immediate confirmation that government issued ammunition was used at a crime scene to the torture scene that happens in the middle of a baseball park for little reason other than to show the criminals they’re dealing with are bad guys, there’s a lot that seems contrived.

Plot holes are an issue as well. The fact that the Novak, the crime boss who wants the cocaine, meets with the crooked cop who happens to have picked up the cocaine and works for him but doesn’t mention the fact that he’s done so then leading Novak to continue to search for it is one of the main issues. Having every single person in Las Vegas have a gun in their glove compartment, while convenient for the film, isn’t particularly believable either. Having Vincent run through the entire film while bleeding profusely from a stab wound also brings to mind the question of if he should have bled out by now.

 By stating the film is not a bad film, I mean that someone who is unfamiliar with action films and tropes will miss the clichés.  Action film fans will have nothing special to speak about after the film is done and even those who are not fans will have trouble remembering this film in the future. Its decent entertainment but isn’t at the forefront of the genre. The issue is not all lack of execution but it seems a lack of ambition. The film is content to be a standard film of the form but has a talented enough cast and decent source material to be better than it was.




Comments

Popular posts from this blog

Oscar Predictions-Film Awards (i)

Best Director Most likely winner :     Steven Spielberg   for Lincoln. Leaving out Ben Affleck, Kathryn Bigelow and Quentin Tarantino pretty much made this Spielberg's to lose. And doesn't reflect too well on the Academy either. Backup Pick :    David O. Russell for  Silver Linings Playbook. The production company of Weinstein have been campaigning hard for this and it's a good film with the acting performances set up well. The thing about best director is it's the easiest award to give to someone the academy likes because it's ambiguous and the academy doesn't really love Russell. Most deserving :      Michel Haneke for  Amour. Haneke has the most carefully crafted film here. All in all it is definitely his film in every scene. His presence is all around the film and it is an excellent film. If they give it for the greatest impact a director has on the film, this is it. Best Adapted Screenplay Most li...

a list about plays (post 1950)

The general perception is good plays stopped being written. That all the plays being performed which remain popular are classics and there is no place for the playwright in the current dramatic world. The role of the playwright has been diminished but good plays have not become extinct in the 20th and 21st century.This list will attempt to reflect that by giving a selection of excellent plays written (and performed) after 1950. 20. Prelude to a Kiss- Craig Lucas. Premiered in California in 1988. Quick Description: Thought to be a metaphor for AIDS. A story about the switching of bodies between a new bride and an old man and how the husband must find the old man while keeping his love alive. Something of a Sci-fi style and one of the most original works in recent times. 19. Long Day's Journey Into Night - Eugene O'Neill.premiered in Stockholm at the Royal Dramatic theatre in 1956. quick summary: A play about addiction and how it affects everyone around the addict.The characters ...

Travel Writings- Rome (I)

Rome is a cliché. Usually that isn’t a good thing but when the cliché is that a city is cool, full of life and gorgeous, the clichés can stay. Rome is possibly the only European capital that can claim to rival Paris in the popular imagination in terms of having an expectation around it. Even Paris is now succumbing to parallel narratives due to the sheer size of the city (much like London), with the immigrant experience less of an unknown story (to non-immigrants anyway. Immigrants always knew it wasn’t cities paved with gold they’d find). Some combination of smaller population, less immigration and the weight of centuries of civilization being still visible across the city has allowed Rome to actually deserve the tag of “The Eternal City”.   My idea of Rome comes to me primarily from Italian films of the 1960s. Rome is black and white in my mind just as it is on Fellini’s film reel. I had low expectations. Months in London had allowed cynicism to set in...