Skip to main content

Posts

Showing posts with the label best films of 2016

La La Land: A review

La La Land: A review La La Land has recently won 7 awards at the Golden Globes, breaking the record for most wins by a film in a single ceremony. The diversity of the awards it has won at the Globes (if you take awards seriously, which can be a bit of a personal choice) suggests its strong on a number of fronts. By winning Best Picture, Best Director, Best Screenplay as well as both lead awards for acting and the awards for score and song, it is reasonable to assume there’s quality in every aspect of the film. And this would be correct.  It’s Damien Chazelle’s third film and once again has jazz as one of its central themes. I would love to say that music is the driving force behind this film but because the script and acting is so strong, it’s hard to really make that case. But make no mistake, the songs (it is a musical, after all) and the score play a tremendous part in setting up the world of the film. The film is a musical romantic comedy and it’s extremely rar...

Nocturnal Animals: A Review

Nocturnal Animals- A review Tom Ford hasn’t done a lot of films. This is only his second and it comes a full 7 years after the excellent debut of A Single Man . Without a history of comparable films and the fact that the director is a famous fashion designer, you’d expect the film to be visually stunning. And it certainly is. But it’s by no means the most striking aspects of the film. The film is excellently scripted (based on Austin Wright’s novel Tony and Susan) and weaves a story within a story. The fictional story is strongly linked to the main story despite being set in two completely different worlds. The main story is set in the world of high art and the society around it. With beautiful sets and fancy costumes, it looks like a photoshoot for a fashion magazine at times. Ford belongs to this world in reality, of course and he seems to be able to make fun of it. All the characters are unhappy but extremely motivated to seem successful.  This story is supplemented (...

Sing Street: A Review

Sing Street: A Review It’s hard to resist comparisons to Once with John Carney’s new film. They’re both set in Dublin and have romance and creating music as central themes. But really that’s where the similarities stop. Once is a film with a limited focus telling a story of two people over a few days. It’s an excellent film because of this limited scope which is then aided by the low budget, home style camera work. Sing Street is much broader in focus. The central story is pretty simple: boy creates band to impress a girl. But there’s a lot more going on in this film. Set against a backdrop of his parent’s crumbling marriage the film also touches on sibling comradery, difficulty with changing schools, the transformative power of music and the limits of possibility in a small city. The film itself is halfway between a gritty kitchen-sink drama and a fantasy story where dreams come true. It doesn’t sound like there should even be a possible middle ground between those realms...

Sausage Party: A Review

Sausage Party: A Review Seth Rogen and Evan Goldberg have now collaborated on Superbad, Pineapple Express and This is the End . Every single one of these films can be a strong contender for one of the best films of the year they were released in and Sausage Party keeps this tradition going (only The Interview, while still decent, doesn’t hit the high level of the other films they’ve written). At some point if this output and quality continues, critics are going to mark this duo as a new wave of comedy. Comedy films are underrated to the point where it’s become a stereotype of awards ceremonies that the comedy role won’t win any awards. In Sausage Party (and Neighbours 2: Sorority Rising, the other film the duo wrote this year) there’s been a secondary theme of addressing more serious issues. This can have the potential to derail all the fun of the film, as in Sausage Party, the serious theme being addressed is religion but the writers never allow the film to get away fr...