Skip to main content

Project Gutenberg: A review


Project Gutenberg

The thing about Hong Kong crime movies that are filled with action is that I have a hard time being objective about them. Like many people who are in their thirties now (and even older), I grew up watching a steady diet of Hong Kong cinema. For much of my childhood I was convinced Hong Kong was one of the most dangerous places in the world (mostly the fault of Johnnie To and John Woo’s films). I have never tired of the Hong Kong gangster film, much as I have never tired of the Western. And the fairly recent resurgence of quality crime movies coming out of Hong Kong has been something I didn’t even realized I missed until the revival and so I’m even inclined to let a few bad movies slide. However, Project Gutenberg isn’t one of the movies that needs to get a bye since it’s a thoroughly enjoyable two hour ride into the world of counterfeit money creation.



With a cast frontline of Chow Yun Fat and Aaron Kwok, the film already comes with classic actors of the golden period of Hong Kong cinema (at least, that’s what the nineties were for me). The movie is pretty dense with a lot happening, especially in the second half. As much as it would seem to be the kind of film that’s focused on the classic era of crime movies, there’s a lot of the film that takes a new approach, though director and writer Felix Chong does show off his aptitude for giving us a film that’s got a lot of twists in it.

Chow Yun Fat has been a bit inconsistent in his films in the recent past but this movie is one of the better ones he’s done in a while. The entire film is as strongly acted as it is written and the acting may be the strong point of the film although we should consider it’s the script that sets up the foundation for the performances by giving a lot to work with. The storyline itself is set up a lot like a heist film with a lot of attention being put onto the technical details of money counterfeiting.



The technical details of the first part of the film means this section of the movie feels a lot slower than the second half which adds details and changes course several times. It certainly can feel as though a plot driven crime drama got mashed together with a big budget action movie after the first hour. However, it just about works because of the excellent acting and because the script is confusing enough to keep the viewer interested but not so convoluted to stop you from being able to follow or care.



While the script may slack a bit at times, the action set pieces that are provided instead more than make up for it especially if you’re a fan of shootouts and explosions. While the film won’t approach Chong’s earlier works like Infernal Affairs (it does seem like he’s trying to hit this level due to all the plot twists and disguised intentions) it definitely is a great way to spend a couple hours and it never fails to be entertaining.

Comments

Popular posts from this blog

best comedians of the decade

criteria : must do stand-up comedy. only judged from stand up and sketch . 10.Demetri Martin why: He likes constructing palindromes. That's reason enough. Uses all sorts of visual aids and sketches. Great with the one liners too. Most unconventional comedian since Gallagher.Maybe. 9. Russell Brand why: Obnoxious, loud and very strange. Known as much for his off stage antics than his comedy. But one of the best young 'angry' comedians out there. Although there's a sneaking suspicion the accent makes him cool (er). 8. Robin Williams why: Back in2002 with LIVE on Broadway, the show broke several records for a comedy show. Showed he's still funny, hasn't let success go to his head and can still make it all up on the spot. 7. Ricky Gervais why: In the Office for the first part of the century, everywhere else for the last. Most people know him for his film roles, but he's great on the stage too. Doesn't shy away from the controversial topics. And it isn't

Best Films of the Decade - 2010s - Third Part

11. Get Out (2017)-  Directed and written by  Jordan Peele. Horror seems to be an excellent medium to describe racism and it's somewhat amazing how obvious it seems in hindsight. One of the best debuts of a director in recent times, with a script that amps up the tension marvelously and serves up a twist in the tale that was impossible to see coming. Normally horror movies are seen as niche, but this film was popular with the wide audience and also at the award ceremonies further proving everyone was able to be captured by the film's quality. There has been talk of the film fitting into horror-comedy, probably due to Peele's comedy background, but while it is never laughably funny but does serve as a clever satire on the state of racial affairs. 12. The Death of Stalin (2017) - Directed by  Armando Iannuci.  Written by  Armando Iannuci, David Schneider and Ian Martin. Few topics are as ripe for satire as the workings of communist governments (provided one can

Best Films of the Decade - 2010s - Second Part

As always, a giant list. The first 10 can be pretty much interchangeable depending on my mood. 21.  John Wick (2014) - Directed by  Chad Stalehski . Written by  Derek Kolstad.   Keanu Reeves already had experience as the face of an action franchise but it's possible in the future that we remember more for John Wick than as Neo. A film that came out of almost nowhere and managed to simultaneously be a homage and a way forward for action movies. Building off of an extensive source of knowledge of the films of John Woo, Jean Pierre Melville, anime and spaghetti westerns, it's the closest anyone has come to replicating the Gun-Fu Hong Kong classics. The well crafted world of John Wick keeps expanding too, with even more additions to the series in the works. Long may it continue. 22.  Blade Runner 2049 (2017) - Directed by  Denis Villeneuve . Written by  Michael Green  and  Hampton Fancher.   A sequel to one of the most beloved and acclaimed sci-film films of